{"id":3261,"date":"2017-12-22T20:56:42","date_gmt":"2017-12-22T22:56:42","guid":{"rendered":"https:\/\/vos.homolog.arsnova.work\/?p=3261"},"modified":"2017-12-23T10:23:12","modified_gmt":"2017-12-23T12:23:12","slug":"os-melhores-filmes-de-2017","status":"publish","type":"post","link":"https:\/\/vos.homolog.arsnova.work\/?p=3261","title":{"rendered":"Os melhores filmes de 2017"},"content":{"rendered":"<p style=\"text-align: justify;\">Como de costume, do goleiro ao atacante, a minha lista, absolutamente pessoal, \u00e9 claro, \u00e9 formada pelos <strong>onze filmes que mais me interessaram nesse ano<\/strong>.\u00a02017 foi um ano mais de aprofundamento te\u00f3rico que de exerc\u00edcio da cinefilia (<em>mea culpa<\/em> pela baixa frequ\u00eancia de postagens nesta coluna, ali\u00e1s), o que se refletiu em poucos filmes vistos. Eis a lista.<\/p>\n<p style=\"text-align: justify;\">1 Na Vertical, de Alain Guiraudie (Fran\u00e7a)<br \/>\n2 Bedu\u00edno, de J\u00falio Bressane (Brasil)<br \/>\n3 Na Praia \u00e0 Noite Sozinha, de Hong Sang-soo (Cor\u00e9ia do Sul)<br \/>\n4<a href=\"https:\/\/vos.homolog.arsnova.work\/o-fator-humano\/critica-z-cidade-perdida\/\" target=\"_blank\" rel=\"noopener\">\u00a0Z &#8211; A Cidade Perdida<\/a>, de James Gray (EUA)<br \/>\n<a href=\"https:\/\/vos.homolog.arsnova.work\/o-fator-humano\/critica-toni-erdmann\/\" target=\"_blank\" rel=\"noopener\">5 Toni Erdmann<\/a>, de Maren Ade (Alemanha)<br \/>\n6 O Ornit\u00f3logo, de Jo\u00e3o Pedro Rodrigues (Portugal)<br \/>\n7 A Morte de Lu\u00eds XIV, de Albert Serra (Espanha-Fran\u00e7a)<br \/>\n8 A Cidade Onde Envelhe\u00e7o, de Mar\u00edlia Rocha (Brasil-Portugal)<br \/>\n9<a href=\"https:\/\/vos.homolog.arsnova.work\/o-fator-humano\/critica-no-intenso-agora\/\" target=\"_blank\" rel=\"noopener\"> No Intenso Agora<\/a>, de Jo\u00e3o Moreira Salles (Brasil)<br \/>\n10 Melhores Amigos, de Ira Sachs (EUA)<br \/>\n<a href=\"https:\/\/vos.homolog.arsnova.work\/o-fator-humano\/critica-silencio\/\" target=\"_blank\" rel=\"noopener\">11\u00a0 Sil\u00eancio<\/a>, de Martin Scorsese (EUA)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Como de costume, do goleiro ao atacante, a minha lista, absolutamente pessoal, \u00e9 claro, \u00e9 formada pelos onze filmes que [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":1935,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[26],"tags":[],"class_list":["post-3261","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pedro-henrique-gomes"],"acf":[],"_links":{"self":[{"href":"https:\/\/vos.homolog.arsnova.work\/index.php?rest_route=\/wp\/v2\/posts\/3261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vos.homolog.arsnova.work\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vos.homolog.arsnova.work\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vos.homolog.arsnova.work\/index.php?rest_route=\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/vos.homolog.arsnova.work\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3261"}],"version-history":[{"count":0,"href":"https:\/\/vos.homolog.arsnova.work\/index.php?rest_route=\/wp\/v2\/posts\/3261\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vos.homolog.arsnova.work\/index.php?rest_route=\/wp\/v2\/media\/1935"}],"wp:attachment":[{"href":"https:\/\/vos.homolog.arsnova.work\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vos.homolog.arsnova.work\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vos.homolog.arsnova.work\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}